Veni redemptor gentium
About this piece
Variations on « Veni redemptor gentium » [Nun komm, der Heiden Heiland], originating from the first Zellerfelder Tabulatur (ca. 1640). Found on pages 250 – 253.
Primus verſus : g and a in alt⁹ (m. 1) are half notes, and fis in baſſ⁹ (m. 17) is f in source. Secundus verſus¹ : g' f' e' in alt⁹ (m. 15 – 16) are octava baſſa, and fis in baſſus (m. 19) is f in source. First two notes in tenor (m. 21) were assumed as they are out of frame in source. B in baſſ⁹ (m. 22) might be G, and es' d' es' in alt⁹ (m. 30:3) is e' d' e' in source. Secundus verſus² : B in baſſ⁹ (m. 46) is D, and f' in alt⁹ (m. 49) is half note in source. g'8 – a'2 in alt⁹ (m. 56 – 57) is {e' f' g' a'}8 b'8 {a'' g''}16 f'2, f''4 and f''4. in ſuperi⁹ (m. 60:3 – 4) are 8 8., and c'4. – f8 (m. 62:2 – 4) is a4. {g f}16 {e f}8 in source. Source : Univerſitätsbibliothek Clauſthal : Zellerfelder Orgeltabulatur, Band I (p. 250 – 253).